
I love the simplicity of this. There's no design credit, but the illustration is by Adrian Tomine--one of my favorites. His New Yorker covers always succeed on so many levels.




Top is the final cover. The novel recounts "...an alternative history that goes back several centuries to flip the slave trade, with Aphrikans enslaving the people of Europa and exporting many of them to Amarika. The plot revolves around Doris, the daughter of a long line of proud cabbage farmers who live in serfdom. After she's kidnapped by slavers, she experiences the horror and inhumanity of slave transport, is sold and works her way back to freedom." Evan originally pitched a two-cover idea (images 2 and 3) where the girl would be shown going from freedom to slavery on some covers and from slavery to freedom on the others. New from Riverhead.



The trailer is premiering on March 27 right before Monsters vs. Aliens. The film is directed by Spike Jonze. Stop reading now if you don't want to know what music will be performed in the trailer. I'm gonna tell you now. Arcade Fire's "Wake Up". Thank you Spike Jonze Fan Blog: http://s-jonze.blogspot.com/
I've loved this cover for a while now. I pray it hasn't been featured on another blog. I would just DIE. Oh wait,
I was at Books 192 this weekend and this book really stood out as one of the simplest and boldest designs of the season. And I couldn't help but smile at the comical eye image, which is a reference to the neiborhood watch signs you see in the suburbs; it also reminds me of the old Pink Panther movie titles. The story takes place in an affluent Massachusetts college town, where "...Edward Inman, owner of Stoneleigh Sentinel Security, gets a late-night alarm from the home of Doyle Cutler, one of his wealthiest clients. Edward thinks nothing of it—until a local student claims that she was sexually assaulted that same night at Cutler’s house."




Tonight on Reel 13, a cool animated film from Nina Paley:

Cool new cover for a new short story collection "...culled almost entirely from leading mainstream periodicals." The cover is printed on holographic paper that shows a spectrum pattern when the book is handled. The word "stories" is deliciously tiny. And the motion blurring is interesting. There are actually two radial blurs - one at the top half (author name) and one at the bottom half (title). They center on the N of "KING" and the S of "JUST". And yet if you look at it quickly, reading from top to bottom, it looks like just one radial blur centred on "stories". Whack!
Norton, Feb 2009. I'm curious to see this cover in person. It looks like the type is gold foil, and the silhouette is die cut, with an illustration on the case. The book is a collection of interconnected stories about Pakistan's dissolving social-class system. It's based on the author's experience of returning to Pakistan to wrest control of his family farm from local thieves (GQ).
Beautiful cover for the prequel to The Maltese Falcon. I'm guessing the inspiration comes from black and white thriller movie titles, like The 39 Steps. I wonder if this was completely digital or if some parts were photographed.
I've had a crush on this book since it came out in June. The photo shows the statue of liberty during its construction in Paris - the dislocation and extreme cyanotype quality of the image makes it look like a glimpse of a parallel universe. The cover is gritty matte with gold foil. It's a great image considering the subject of the book:
This is a gorgeous collection of some of Lewis Carroll's 3000 photographs taken during the mid-late 1800s. The photographs are mostly portraits of children and prominent Victorian figures like Lord Tennyson - turns out Carroll, apart from being a mathematician and writer, is considered one of the greatest Victorian photographers. The interior is set very nicely with a lot of white space - one photo per right hand page with an accompanying text on the left. The cover is a trip. Taking a part of the text of Alice in Wonderland, the designer has picked out the letters spelling Lewis Carroll. Info to come (I think the designer's first name is Sonya).
Trade paperback - saw this Christ Mas Eve in the Union Square Barnes & Schnoble's (which was absolutely MOBBED by the way - I guess people are STILL buying books!). The title, which is practically white-on-white toward the middle, is the only part of the cover that is embossed - and everything is matte. Makes me want to read the book. The city is a smoggy LA, where the story takes place in the 80s. I wonder if the white-on-white embossed title alludes to the mountains of cocaine the characters snort.





Yes, I'm a theater fag. I've been listening to a lot of Playbill Radio lately, and one thing lead to another, and before long I was looking back at my years of theaterfandom, much of which was due largely to the amazing posters of yesteryear. There is certainly some good work being done in the field nowadays, mostly by SpotCo, who created the posters for Rent, Chicago and Avenue Q. But for me, there is an iconic quality to this old stuff that rocks my pants.