
Wait for it...

Two books by Sarah Waters, both shortlisted for the Booker Prize. As I recall, The Little Stranger was printed directly on the case, which I saw quite a bit of in Waterstone's when I visited London. Both these novels are thrillers that take place in the 1940s. I love the quirky type treatments and pulp fiction look of these covers. They remind me of Hitchcock posters and film titles.

Front cover and full mech of this upcoming title in the Penguin Graphics series. Cover by Lilli Carre. with design by Paul Buckley. You can view the current Penguin Graphics set here: http://www.flickr.com/photos/paulbuckleydesign/sets/72157621852113991/







I love this boxed set, which works so well with the Ripley stories. Ripley "... is everything crime fiction fans love in an (anti)hero: a charmingly slick killer who can worm his way out of anything." He is faced with a problem in each novel that must be solved by the end, by any means possible. The chess board at the top of the box is a nice depiction of these games. Also, the icons on each cover represent important pieces of the stories. The oar on Talented Mr. Ripley is his first murder weapon. But my favorite is the high-heeled shoe in The Boy Who Followed Ripley, which works so humorously against the title. In that novel, Ripley comes to the aid of a wealthy teenage expat with a secret, and at one point, they travel to a seedy Berlin transvestite club. It's such a small detail, but it's a joy to see it on the cover for someone who's read the books. And lastly, I love the way Ripley gradually disappears from view across all five covers.
Ummm....GORGEOUS!

Roseanne Serra commissioned illustrator Ruben Toledo to create these unexpected fashiony takes on well-known classics. All are Penguin Classic Deluxe editions in paperback with French flaps, and there are nice special effects to enhance the cool illustrations - like a red foil thread that runs through the large A of Scarlet Letter.
This trade paperback cover is printed on thick stock with a semi-gloss finish , with all the crack lines debossed. It's the story of "Nigerian tribal life before and after the coming of colonialism... Deceptively simple in its prose, Things Fall Apart packs a powerful punch as Achebe holds up the ruin of one proud man to stand for the destruction of an entire culture." (Penguin UK)








I just came back from a great trip to London, where I spent three hours one day at Waterstone's, the UK equivalent of Barnes & Noble (they do have Borders, though). It was fascinating to see all the alternate covers to books we're familiar with here in the US, as well as see the fabulous work of Keenan and Gray318 that doesn't grace our stores. Those guys must be sleeping for half an hour a day. Top shows Jon Gray's Dream Eaters - the circle is actually gold foil. Second is the American paperback version (I think Shasti O'Leary Soudant designed it). Third is a new book in this series, and I'm not sure who designed it, although it appears Gray-like. And fourth is Shasti's US design. More UK designes coming up this week.


The first two of six mystery novels about a transvestite Turkish nightclub owner/detective who dresses like Audrey Hepburn. Roseanne commissioned awesome illustrator Tomer Hanuka to bring the hero(ine) to life. Tomer had previously worked on the Marquis de Sade book for Penguin: http://search.barnesandnoble.com/Philosophy-in-the-Boudoir/Marquis-de-Sade/e/9780143039013/?itm=2


James Victore gave an interesting talk at FIT last week about his career as an illustrator and designer, and one of the most impressive things about him was his power with the Sharpie. He said Sharpie should actually pay him for all the work he's done with their product. He showed slides of this new project, done for the July 2009 cover of Esquire Magazine. Model Bar Rafaeli, covergirl of the Sports Illustrated Swimsuit issue and Leo Dicaprio's girfriend, posed naked for Victore and he handwrote the first sentences to a new Stephen King story on her body. In the slideshow, which showed the writing in several stages, Rafaeli was talking on her iPhone while Victore was writing on her. I love this cover. I actually thought it was going to be a book cover, but this is OK too. Oh, and BTW Victore didn't write on Rafaeli with a Sharpie. He went to Sefora and talked to the salespeople who at first pretended not to know what he was talking about, but when he said he needed some sort of eyeliner to write on a supermodel, they snapped to attention and turned into the most helpful experts.
Great cover printed on uncoated paper. Looks really awesome in the window of a dark bookstore at night with a light shining on it - the dimpled paper looks cool. The wing on the right has a map of Queens, NY, while the left wing shows a map of Kerala, India. This is the story of two sisters from Kerala, one of whom emigrates to NY by passing off her sister's paintings as her own in order to get a scholarship. When her deceit is discovered, she disappears to Queens and her sister leaves Kerala to search for her. I'm not sure if the bottom pattern is supposed to evoke bindi, but it seems like the strand that is reaching for the author's name symbolizes "the hunger for independence and the longing for home; the need to preserve the past and the yearning to break away from it." (excerpt from the product description) Thanks, Ian, for the headz up.
